Mr. Neal Prince,
R.A., A.S.I.D
(Curriculum Vitae) |
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Index Holdings Relating to the 1940's |
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Index Holdings Relating to the 1950's |
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Index Holdings Relating to the 1960's |
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Index Holdings Relating to the 1970's |
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Index Holdings Relating to the 1980's |
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Index Holdings Relating to the 1990's |
Professional
Biography
2000's |
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Mr.
Neal Prince Resource Image Data Base |
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InterContinental
Hotels
Historical
Background
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John B. Gates,
Chairman of the Board |
Robert Huyot,
Chairman of the Board |
Hans Sternick,
Chairman of the Board |
John P. Sutherland,
President
Latin American
Division |
Mario Di Genova,
President
Europe/Africa Divsions |
R. Kane Rufe,
Sr.
Vice President
Far East/Pacific Division |
John C. Carrodus
Sr.
Vice President
of Services |
Neal A. Prince
Vice
President
Graphics and Interior Designs |
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Departmental Staff and Contractual
Designers: |
Kenneth Smith,
ASID |
Charles R Alvey,
Graphic
Designer |
Richard Simpson,
Graphic
Designer |
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Bill Embery |
Dale & Pat Keller,
ASID |
Joe Grusczak,
ASID |
Trisha Wilson,
ASID |
James Ray Baker,
ASID |
Irene D'Alessio,
Interior Designer |
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Arie deZanger,
IHC Photographer
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CONTACT
US |
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* * * Webpage is being updated *
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Images from the Punch Bowl Cafe
Interiors were by Mr. Neal Prince,
of New York
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Images from the Coffee House Restaurant
Interiors were by Mr. Neal Prince,
of New York
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In this Cafe, illustrates a fine example of Mr.
Prince's attraction for correct period
settings. Here, Mr. Prince called upon his
friend, Mr. Roy Little to set the mood with
this hand painted mural of the Atlantic City
Boardwalk from the 1900's. Though this is a
black and white photograph, Mr. Prince used
Robbins vinyl tile floor combinations of blue,
green, white, yellow and black, with the main
ceiling being white, with the dropped ceiling
being blue. The tables were supplied by
Chirmasters, with a Parkwood laminate tops. The
chairs were supplied by J.G. Chairs, which were
covered in blue, green and yellow Boltaflex.
The curtain panels behind the divider were a
Cohama green fabric, with draperies having a
cut out pattern on American's "Feutron 63"
from Arundell Clarke in blue, green and yellow;
custom chandelier from the supplier,
Metropolitan. The Art Nouveau mannerism was a
period that Mr. Prince favored, as he deeply
appreciated and loved the Arts & Crafts
Movements.
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DISCLAIMER: A considerable effort has
been made in good faith to ensure that
all information accessible from this
site of Archives and memoirs are
accurate. Despite this effort, it is
clear that errors are inevitable.
Consequently no guarantees are expressed
or implied as to the accuracy,
timeliness, currency or completeness of
any information authored by persons at
or agents of the Neal Adair Prince Trust
or its Estate Trust Holding affiliates,
or accessible using links from this
site. Nor is any warranty made that the
information obtained from this
Educational Archival site or that of an
affiliate is valuable or useful for any
purpose. A reader assumes full
responsibility for any actions taken
based on information obtained from this
Educational Archival Interior Designer's
web site. In particular, we emphasize
that the information available through
this site should not be interpreted as
professional International Interior
Designer advice. All information from
these archives, from this or any other
source, needs carefully to be reviewed
with your own trusted License Interior
Designer provider before being
acted upon in any way.
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